Hum-Sa Kriya – Alan Finger

This meditation was one of the first that I learned from my teacher Alan Finger. It is a beautiful way to calm and still the mind and connect to the energy of your body.

The Hum-Sa Kriya is part of the “Ishta Diksha.”

Diksha, meaning “initiation,” is the physical transference of divine energy directly into the brain, which allows for enlightenment. You become free from the limitations and the conditioning of the mind and are released from unnecessary suffering.
Practiced daily, these techniques will tune your mind into a Higher source of personal power that will educate, inspire, and enliven every moment of your living.

The Hum-Sa Kriya directs consciousness to the spinal column, the central cord of intelligence and awareness, and the central channel of energy in the body. The result of this focus is the creation of an alpha rhythm in the brain. Alpha is the scientific term for the brain state of relaxed alertness and accelerated learning- the mind is peaceful but aware and perceptive of its surroundings. It is known to be incredibly healing and revitalizing to the mind and body.

1. Set a small timer for 18 minutes, but don’t press start just yet. Do at least six rounds of Nadi Shodana Pranayama (alternate nostril breathing).

2. If you can, keep your eyes closed, but press the start button on your timer. Bring your focus back to the breath. Whenever you breathe in, silently visualize and hear the sound “Hum” going up the spine from the base of your tail bone to the space between your eyebrows. And whenever you breathe out, use the sound “Sa” down the spine and try to feel the energy move from the mid-brain down to the base of the spine.
Very important: Do not force the breathing.
On your inhalation, visualize a white ball of light lifting up your spine and into the middle of your brain, and on your exhalation, visualize the ball of light slowly floating down your spine back to the base.

3. Repeat this movement. On the inhalation “Hum” up the spine and on the exhalation. “Sa” down to the base.
This focus and repetition brings you deeper and deeper into the center of consciousness, revealing the true nature who you really are.
You’ll notice that in time, your breath slowly becomes smoother. Eventually pauses will appear, moments in between breaths where there’s just a pause and no need to breathe. This is the point at which a sense of just floating in pure bliss occurs.

4. Stay in this place until the timer sounds. When that happens, gently silence the alarm, and come back to sitting. Let yourself take about six or so full deep breaths. Gently open your eyes. Smile. You’ve taken one more step on the journey to Self.

Namaste.
Alan Finger

Natarajasana

Natarajasana, Pose of the Lord of the Dance, is a complex pose that is deep backbend with the added fun of balance.  As with any backbend, is it essential to fully warm up the thoracic spine and hip flexors as well as integrate core stability for the safety of the lower back.  A myriad of arm variations possible in this pose also allow for shoulder and chest opening.

Risk factors: Falling, low back.

What to warm up:

The hip flexors (front of the thighs).  Low lunge, high lunge, and Virabhadrasana I are great poses for opening the front of the thighs.  Hanumanasana with a bolster and a focus on a sagittally neutral pelvis in order to access the BACK leg.  Instead of treating Hanumanasana as a stretch, instead use it to access and tone the adductors, make the legs neutral, and then open the hip flexors of the back leg.  Ardha Bhekasana can also be used to stretch the quads, particularly when we focus on anchoring the pubic bone as we draw the shin in.

The thoracic (upper back).  Work to open the front of the heart by broadening the collarbones, lifting the sternum, and drawing the shoulders deeply into the body.  Can you work to isolate the drawing in of the upper back while you keep your lower back long?  It’s a little bit of a conundrum, but this is exactly the paradoxical work that backbends require.  Poses such as sphinx, bhujangasana (baby cobra), dhanuarsana (bow), and salabhasana (locust) can refine this work.

The core. To maintain a long lower back, we must use strength through the front of the body to contain the area between the front hip points (the ASIS) and the lower ribcage. Poses such as plank, forearm plank, and navasana (as well as other non-yoga varieties that might be in your repertoire) can bring awareness to this area.

The inner thighs/neutral legs.  The adductors link to the core and help keep our legs neutral when they would otherwise flare into external rotation.  Prepare the legs to remain neutral through engaging the adductors in lunges, Virabhadrasana I and Virabhadrasana III.   By engaging the inner thighs and rolling them slightly to the back body, we widen the sacrum, create length through the back and more room to squeegie the buttocks flesh down the thighs.

The shoulders. Classical Natarajasana has the standing leg arm reaching forward, while the bent leg arm reaches over the head in external rotation and flexion to grasp the foot or big toes.  (Like the upper arm in Gomukhasana.)  While this is quite a feat for most of us dealing with tight shoulders and hip flexors, we can approximate the actions of this pose by using a strap around our bent knee ankle.  Make a Grecian sandal with your strap by wrapping it around your ankle and threading the two ends between the big toes.  Presto, you’ve made your leg longer!  Work the actions of the pose here: draw the inner things to each other, tailbone to the floor, lower back long, upper chest opening.  Breathe and then climb your hand down the strap as the opportunity avails. To prepare for the classical variation, use poses such as Adho Mukha Svanasana (down dog), Utthita Hastasana (hands up in tadasana), Gomukhasana (cow-face pose, arms only), and inversions to open the shoulders.

A great variationof Natarajasana is to reach back with both hands and clasp the foot (like your clasping your hands around the top of the foot).  In this variation, the shoulders are in extension, which creates a delicious opportunity for opening the chest.  Use Prasarita Padottanasana C (wide-legged forward bend with hands clasped behind), Purvottanasana,  Setu Bandha (bridge), and Dhanurasana (bow) to prepare the shoulders for this variation.

Props:  Use a strap as a Grecian sandal to assist in the classical variation (see above).  Use the wall to assist in balancing.

Variation: At Wall.  Start in Virabhadrasana III at the wall, hands at the wall, with one foot under the hip and the other reaching back into the center of the room.  Keeping the lower back long, begin to move into a backbending variation by walking the hands up the wall.  Alternatively, strap the arms above the elbows and bring the forearms on the wall parallel, fingers pointing up.  Option to bend the lifted knee , keeping the thigh open and neutral.  Natarajasana at the wall!

Energetics: Natarajasana is a pose about opening into fear.  We are asked to open our hearts on uncertain ground (on one leg).  Before you begin, relax.  Smooth out the breath.  Grounding the energy and stabilizing the standing leg are crucial pillars.  Once the base has been established, then slowly open the upper back into a backbend.  Less is more at first.  From a stable base, let the breath open the pose from the inside.

Giving Gratitude Legs – Ustrasana

Frequently when we leave yoga class, we’re feeling pretty good. We’re stretched, we’re stronger, our minds are a bit more settled. After all, feeling good in our own bodies is a crucial first step on our hatha yoga path. And if that’s what gets us to the mat, so much the better. But at some point in our practice, we begin to have the terrible inkling that our yoga practice is actually happening all the time. It’s just a little more obvious when we’re in our lulu’s and on our mats.

Our practice is just that: practice for our lives. The point of our practice isn’t to have the perfect downward facing dog – although greater physical health is certainly a side effect of yoga. The real juice of our practice is revealed in very practical and everyday situations. Our practice means having a little extra space to respond when someone pushes our buttons or cuts us off in traffic. It’s having the space to feel upset without lashing back. Or it’s using that feel good energy from our class to give back to our families and friends a bit more fully. While improving urdhva dhanurasana is fun, the real potency of our yoga practice is actually experienced off the mat and in our lives.

In honor of Gratitude Week, I’m inviting everyone to “Give their Gratitude Legs”. Take that gorgeous, expansive generosity that begins to flow in class and deliberately manifest it as something tangible in your life. Bring the energy from your heart chakra and manifest it into your legs and your hands — and take action.

Devote just one hour this week to manifest your gratitude. Spend the extra hour with your kids, research a charity to donate to, or listen to a friend that needs some healing.

After all, if we don’t pay it forward, then who will?

Pose of the Week: Ustrasana

In honor of giving gratitude legs, this week’s pose is Ustrasana. Camel pose requires a deep connection to our core, to our legs, to the earth. Out of this deep strength and connection into our roots, we can open our hearts into gravity and radiate.  The interplay between opening up and grounding down makes ustrasana the perfect pose for manifesting gratitude.

Risk factors:

Because ustrasana is a backbend with gravity (as opposed to backbends where we lift up INTO gravity), it is vitally important to maintain the strength and connection of the front of the body to avoid over compressing the lower back.  What makes ustrasana so invigorating and challenging is the play between opening and strengthening the front body. Another risk factor is the neck, as we’re often tempted to drop the head back and cut of the long line of energy up the spine.  Dropping the head back should only be done when the chest is fully opened, and even then should only be done if it comfortable to the student.  I keep my chin tucked into my chest as long as possible and often do not drop my head back at all.

What to warm up:

The thoracic (upper back).  Coil open the upper back back by broadening the collarbones, reaching forward with the sternum, and drawing the shoulders deeply into the body.  Can you work to isolate the drawing in of the upper back while you keep your lower back long?  Imagine drawing the sides of the waistline to the back body as you lengthen the sides and lift the chest.

The core: The stability of our core is essential in controlling the opening our spine in ustrasana.  While the core is important in all backbends, its role is crucial in ustrasana because we are resisting gravity.  Engaging the inner thigh line (the adductors) will help to engage the core and support the backbend.  As we move into backbends, we can grip the buttocks, which can cause external rotation in the thighs and squash the sacrum.  By engaging the inner thighs and rolling them slightly to the back body, we widen the sacrum, create length through the back and more room to reach the sitbones away from the back.  Practicing plank and forearm plank can also teach the front body to engage without shortening.

The hip flexors (front of the thighs).    Prepare the hip flexors for ustrasana through lunges and Virabhadrasana I.  To particularly access the quads, use a runner’s stretch or King Arthur’s Pose (low lunge with the lower leg vertical up the wall).

The shoulders in extension (arms reaching back). Warm up the shoulders in extension through garudasana arms (lower arm), salabhasana or  bridge.  I also like using a strap during uttanasana or prasarita padottanasana to encourage arm extension.  Choose your leg variation, then hold the strap behind you with the palms forward, just wider than your hips.  Draw the heads of the upper arms back (no slouching).  Keep lifting the strap to the ceiling (rather than over the head) as you fold.  Lift the shoulderheads up.

Props:  The wall.  I almost always do ustrasana with my hip points glued to the wall.  I can clearly draw my inner thighs back into the room and lengthen my sitting bones to the floor.  Keeping your hip points at the wall will ensure that you keep your hips and knees lined up and that you continue to use your legs and abdominals to support your weight.   Use a bolster across the back of the shins to bring the floor up to you.  Blocks on either side of the ankles do the same thing.  You can place a block between the thighs to engage the adductors.  An important note in ustrasana is to continually lift up as you go back.  As if you’re lifting your upper back over a limbo bar.  When  your hands find purchase (on the bolster, blocks, or feet), lift up out of the arms and radiate your chest up to the sky.  Finding and nurturing a sense of strength and containment as you drop back in ustrasana will help prepare the body for more rigorous drop backs from standing.

Mark Whitwell – What is yoga?

What is yoga? In this ten-minute segment, Mark – with his typical directness and humor – clarifies the purpose of yoga and exhorts us to participate with authenticity and intimacy in our own lives. I have studied with Mark on several occasions in New York and in Vancouver and always find his clarity and inclusiveness inspiring.

“Yoga is your direct participation
absorption in the given wonder
the extreme intelligence of life
that is of course in every person
every creature
you can do this
it’s not a search
it’s not to use the mind
it’s not to use the body to try to get somewhere
as if you are not “Somewhere”
as if you are not the full blown wonder of life
dependent on a vast process
for your own existence
so there is a right yoga for you
you learn to do that yoga
and then you too can enjoy this direct absorption
participation in the nurturing force that is life already given to you
you are completely loved
completely loved
you are completely cared for
everybody is completely loved
completely cared for
even if the social conditions are suggesting otherwise
even if your mind doesn’t recognize it
by doing your yoga practice on a daily basis
actually and naturally
not obsessively
you too can enjoy this direct absorption
in the wonder that is this life
in all conditions of life including the unseen source
which is responsible for all this appearance here
please enjoy your yoga
YOU ARE HERE NOW

This is a simple argument.
It is easier than easy.
So simple, we seldom speak of it and do not grasp it.
But once seen, it is obvious
and we feel the stark reality of our life,
unmediated by the mind of doubt.

The idea of human imperfection
that is deeply ingrained in the social mind,
in old scientific and religious thinking
blinds us to the perfection that is already in us,
as us, as Life itself, as Nature “her”self.

We are not separate;
we cannot be separate from Nature,
which sustains us in a vast interdependence with everything.

The universe comes perfectly
and is awesome in its integration and infinite existence.
It is our natural state.

Our mission and passion
is to provide the spiritual
and healing powers of yoga
to all who recognize the ancient wisdom
and the wisdom of your own body and mind.”

~Mark’s Hridaya Yoga Sutra describes the spirit of Yoga of Heart: the Healing Power of Intimate Connection
More Heart of Yoga.